A Phenomenological Essay on Inhibition in a Depressive Patient. How Does the Psychiatrist Know Inhibition?
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Accession number;00A0581450
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| Title;A Phenomenological Essay on Inhibition in a Depressive Patient. How Does the Psychiatrist Know Inhibition? |
| Author;
YOKOTA KENJIRO
(Kyushu Univ., Grad. Sch.)
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Journal Title;Kyushu Neuropsychiatry
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Journal Code:Z0180B
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ISSN:0023-6144
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VOL.46;NO.1;PAGE.23-33(2000)
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| Figure&Table&Reference;REF.10 |
| Pub. Country;Japan |
| Language;Japanese |
| Abstract;Inhibition is differentiated from blocking and refusal. However, it is not certainly differentiated by only objective signs such as the slowness of the patient's act, speech and so on. Therefore, Schneider referred to the difference in the experience of the psychiatrist distinguishing inhibition from blocking and refusal. In this study, the author reported a case of a forty-two-year-old man, who was in the depressive substupor at the first psychiatric examination, and then discussed how the author knew the inhibition in this patient. The author did not judge the inhibition in this patient according to the hypothesis of his past and future. However the author before the patient simply experienced judgement that this patient was inhibited. Then it was thought that the author saw this patient inhibited through time and history. The time and history meant the premise of seeing things. The time was thought to be the way to see moving, while the history was thought to be the way to see continuing. The philological study was attempted to quest for inhibition and elucidate the origin of judgement of inhibition. According to the Husserl's transcendental logic, the act of 'the transcendental subjectivity', which returns from judgement to experience and recognition, and its logical inevitability were discussed. The inhibition in this patient was not shown as 'the plain sensational experience', but as 'expression' to the author before the patient. The inhibition in this patient appeared the place where the author constructed the strange statue through the time and history. It also appeared as the strange statue that was constructed through the body based on the plain sensational experience. The conviction that the author knew the inhibition in this patient, came from the expression that was constructed with the time, history and body. Such experience of the psychiatrist was thought to be a cultural origin of psychiatry. (author abst.) |
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